Images of improvised trips and runs without maps through towns and their surroundings. Reflections about accidental meetings, but also images of purposed searches among traces of reality, which have their place in our visual experience by means of photography. >>
This photography sequence is the result of a decomposition process of our surroundings into several pieces extracted and isolated of their original context, although they still record this context in their meaning. These photographs are realized without any filter nor any special technical treatment, excepting framing and approximation to all kind of objects, surfaces, textures and structures recycled in order to get a second vision of them. >>
Sales, transfers and liquidations gather an ensemble of images concerning evolution of urban spaces and the steady transition state in which are heaping up commercial centres, big estates, mountains of waste, abandoned premises, ephemeral spaces and provisional landscapes produced due to advance of modernity and his entourage of chain stores. >>
This collection of snapshots of unforeseen situations look like the sequences of a film we missed the beginning, or its near the end. Disjointed images of a film that we only know the sense trough the relation between figures and background. Kinemas (term invented by Pier Paolo Passolini) has in fact a cinematographical meaning. “...significance of images is analogous to significance of words, the contents reach the same communication power in kinemas and in phonemes…” (Pier Paolo Passolini). >>